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  24 I cannot leave the question of dream displacement without the consideration of a remarkable process in the formation of dreams in which condensation and displacement work together towards one end. In condensation we have already considered the case where two conceptions in the dream having something in common, some point of contact, are replaced in the dream content by a mixed image, where the distinct germ corresponds to what is common, and the indistinct secondary modifications to what is distinctive. If displacement is added to condensation, there is no formation of a mixed image, but a common mean which bears the same relationship to the individual elements as does the resultant in the parallelogram of forces to its components. In one of my dreams, for instance, there is talk of an injection with propyl. On first analysis I discovered an indifferent but true incident where amyl played a part as the excitant of the dream. I cannot yet vindicate the exchange of amyl for propyl. To the round of ideas of the same dream, however, there belongs the recollection of my first visit to Munich, when the Propyloea struck me. The attendant circumstances of the analysis render it admissible that the influence of this second group of conceptions caused the displacement of amyl to propyl. Propyl is, so to say, the mean idea between amyl and propyloea; it got into the dream as a kind of compromise by simultaneous condensation and displacement.
The need of discovering some motive for this bewildering work of the dream is even more called for in the case of displacement than in condensation.
Although the work of displacement must be held mainly responsible if the dream thoughts are not refound or recognized in the dream content (unless the motive of the changes be guessed), it is another and milder kind of transformation which will be considered with the dream thoughts which leads to the discovery of a new but readily understood act of the dream work. The first dream thoughts which are unravelled by analysis frequently strike one by their unusual wording. They do not appear to be expressed in the sober form which our thinking prefers; rather are they expressed symbolically by allegories and metaphors like the figurative language of the poets. It is not difficult to find the motives for this degree of constraint in the expression of dream ideas. The dream content consists chiefly of visual scenes; hence the dream ideas must, in the first place, be prepared to make use of these forms of presentation. Conceive that a political leader's or a barrister's address had to be transposed into pantomime, and it will be easy to understand the transformations to which the dream work is constrained by regard for this dramatization of the dream content.
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